Bringer of discord and destruction, severing bonds and ending conflict through violent means—to be approached with utmost caution.
Andras manifests as a towering figure with the head and wings of a magnificent raven, his body wrapped in crackling flame and wreathed in smoke. He rides upon a black wolf whose eyes burn with malice. His presence fills space with palpable menace—walls seem to close in, the temperature drops despite surrounding fire, and the air tastes of iron and ash.
His aura radiates pure Mars energy: aggression, discord, and the breaking of established bonds. Those in his presence feel sudden anger, old grievances resurface, and hidden resentments become unbearably present. Relationships splinter without direct action—merely his presence sows division and conflict in groups.
Induces fatal conflict between enemies without requiring direct violence. Manipulates circumstances, misunderstandings, and old grudges until conflict becomes inevitable and lethal. Most dangerous power—once released, almost impossible to control or redirect.
Direct killing through supernatural means. Appears in historical records as shadow-poison, sudden illness, and inexplicable death. This power requires Andras's direct involvement and is rarely granted—he demands significant sacrifice and accepts only when destruction aligns with his demonic will.
Unbinds all contracts, oaths, and magically-reinforced relationships. Used carefully, this power frees conjuror from disadvantageous agreements. Used recklessly, it severs beneficial bonds alongside harmful ones—often with catastrophic consequences.
The emergence of Andras within the Western grimoire tradition.
Andras emerges in medieval demonological texts as an instrument of severance and violent rupture, first catalogued in the German grimoires of the 15th century where he bears the glyph of discord. His classification as a Marquis reflects his perceived rank among the hierarchies of destruction—a demonic lord whose singular dominion extends over the shattering of bonds, both social and spiritual. Medieval theologians distinguished Andras from mere destructive entities by his specificity: he does not simply destroy, but engineers the psychological and social fracture that precedes annihilation.
The iconography of Andras—an angel's visage coupled with a raven's head, mounted upon a black wolf with sword drawn—carries deliberate inversions of Christian symbolism. The angel's form invokes the corrupted nature of rebellion itself, while the raven references classical associations with battle-frenzy and prophecy. This hybrid form recurs throughout medieval grimoires with striking consistency, suggesting a continuous transmission from a single authoritative source, perhaps an earlier demonological catalog now lost to history.
Andras occupies a unique position among the 72 spirits: his danger is not merely theoretical but actively warned against by grimoire compilers. Unlike demons bound by oath to serve the conjurer, Andras is characterized as actively antagonistic, capable of turning his power against the practitioner should any element of the ritual falter. This distinction elevates him into the category of genuinely perilous entities, approached only by practitioners with profound understanding of containment and binding.
How different sources describe Andras across centuries of compilation.
Andras in art, literature, and the modern imagination.
Historical and modern approaches to working with Andras.
Regardless of method, the irreducible correspondences remain: the seal is central, the element is Fire, the planet is the Moon, the metal is Silver, and the day is Monday. These form the signal beneath the noise of varying approaches.
CRITICAL WARNING: Andras is among the most dangerous demons. Many conjurors invoking him have been killed alongside their intended targets. Invoke only in genuine extremity and with elaborate protective measures. Response is swift and indiscriminate.